Shearwater is new to me, but I love his music. His powerful but crystalline, delicate vocals hang the whole ensemble together very well. Great stuff.
Austin's Shearwater return with the follow-up to "Palo Santo". "Rook" meditates on man's intersection with the natural world; the world after human beings are gone. A dark fairy tale encased in a cycle of songs. Jonathan Meiburg's bold, soaring voice still anchors the songs, which broaden his pastoral prog-folk chaotic celestial mindfuckery into new realms. Beyond the continuing touchstones of ...
Austin's Shearwater return with the follow-up to "Palo Santo". "Rook" meditates on man's intersection with the natural world; the world after human beings are gone. A dark fairy tale encased in a cycle of songs. Jonathan Meiburg's bold, soaring voice still anchors the songs, which broaden his pastoral prog-folk chaotic celestial mindfuckery into new realms. Beyond the continuing touchstones of late Talk Talk, Nico, and John Cale, there are now allusions to Van Morrison and hints of Joni Mitchell. All set in a newly lush sonic gorgeousness of harp, strings, and woodwinds atop the magnificent rhythm section.
We tried really hard, but we can't tell you what your friends think without knowing who you are first.
Sign in now, or if you're new here, join blippr!
what do you think?
